Robert Smithson designed and directed the construction of his iconic work the Spiral Jetty in April 1970. The Jetty is a site-specific work, meant to interact with changing conditions of the surrounding water, land, and atmosphere. While located in a relatively barren, unpopulated place, Smithson chose the site not only because of the vast surrounding landscape, but with reference to nearby.
Spiral Jetty is an earthwork sculpture constructed in April 1970 that is considered to be the most important work of American sculptor Robert Smithson.Smithson documented the construction of the sculpture in a 32-minute color film also titled Spiral Jetty. Built on the northeastern shore of the Great Salt Lake near Rozel Point in Utah entirely of mud, salt crystals, and basalt rocks, Spiral.Robert Smithson remains one of the most influential and original artists of modern times who has had a major impact on artists of his generation, and continues to do so today.Smithson’s provocative works, made in the mid-sixties to early seventies, redefined the language of sculpture.He was one of the founders of the art form known as earthworks or land art, and is most well known for the.Robert Smithson, “Spiral Jetty” (1970) I asked Kelly Kivland, a curator at Dia Art Foundation, which owns “Spiral Jetty,” what this means for the artist’s vision.
Twenty six years after Robert Smithson’s tragic death in an airplane crash, it is now clear that he is one of the most important post-war artists. His famous “Spiral Jetty” in the Great Salt Lake in Utah, USA, secured his place as one of the pioneer earth-works artists; but he was also an active contributor to the cultural criticism that has shaped the thought and creativity of recent.
The great reveal. As “Spiral Jetty” remained underwater for 20-plus years, its legend grew — thanks in part to separate written and video pieces about the work, which Smithson also created. While the casual audience might think of “Spiral Jetty” as just the sculpture, the art world holds these accompanying video and written pieces in high esteem.
No land artist of the 1960s was more influential at the time than Robert Smithson. If anything, earthworks such as the Spiral Jetty and essays such as “Frederick Law Olmsted and the Dialectical Landscape” have only added to his importance over the years. One of the reasons Smithson still seems so relevant is that his work responded so directly to a nostalgic trend that arose in both.
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Robert Smithson, who died so cruelly young in an air crash while working on his Amarillo Ramp, preferred to construct his pieces in areas that had been ruined or exhausted, virtually recycling them, as in his famous Spiral jetty at Great Salt Lake, Utah. Like the earth work itself, his Spiral jetty film is.
Book chapter published in Great Salt Lake: An Overview of Change (Utah Geological and Mineral Survey, Department of Natural Resources, 2nd ed.): 553-560.
Smithson Sightings Short essay on Smithson by Timothy Don of 3 Quarks Daily. Pictures of Robert Smithson's Spiral Jetty. 'Extra Terrestrial' - a 1993 monograph from frieze; 0.0. 0.0.html Robert Smithson exhibition at The Renaissance Society, 1976. Robert Smithson and Floating Island, by John Haber; Nonsite from Smithson to New Media, by John Haber.
The film Smithson made that so dramatically documents the genesis of Spiral Jetty, the shots of it from all angles and as a souring eagle’s eye high above it—eagle and helicopter turning in a spiral, mimicking in the air both the Jetty and the mythical whirlpool that’s said in ancient lore to underlie the lake—and as well the vividly gripping photographs of its recent re-emergence are.
Robert Smithson expressed a profound interest in the arts from an early age. While still attending high school in Clifton, New Jersey, during the mid 1950s, he attended art classes on the side in New York City. For two years, he was enrolled at The Art Students League in New York and, for a briefer period, at The Brooklyn Museum School.
Robert Smithson: Time Crystals has. (1970); and an essay published in 1972. In addition, Smithson made numerous preparatory drawings, a storyboard film treatment and documentary photographs, as. creating the Spiral Jetty earthwork? Robert Smithson, Spiral Jetty 1970, (Great Salt Lake, Utah).
Robert Smithson and Ruins in Reverse. Robert Smithson, Hotel Palenque, dimensions variable 1969-72. Slide projection of thirty-one 35mm color slides (126 format) and audio recording. the essay and lm of Spiral Jetty borrow tropes from science ction (Smithson was himself a fan of the genre).
As stewards of Spiral Jetty, Dia is committed to recording changes to the work over time through photographic documentation.Since 2012, a geospatial aerial photographer has documented Spiral Jetty twice a year, in May and October.
Spiral Jetty is probably the best known work by Robert Smithson, who was one of the most interesting artists of the late sixties and early seventies. He was a writer as well as a sculptor and left us with a really challenging and interesting body of written work that’s provided the foundation for a lot of subsequent work that’s been done in the landscape.